Tag Archives: 1933

A Mother’s Day tribute

8 May

I queued this up a year ago just so I would remember to revisit it for Mother’s Day 2012. (Apparently, it went live several days ago.) My father never missed an opportunity to sing the praises of he mother, Malvina. It’s clear my grandmother was God-loving and generous to a fault. I wish I had a photo.

The New York Age May 20, 1933


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Adam Clayton Powell Jr. marries an actress

15 Mar

Adam Clayton Powell Jr. is sworn in to the New York City Council by Mayor Fiorello H. La Guardia. From left, Joe Ford; Powell's mother, Mattie; Powell; Powell's wife, Isabel; Powell's father, Adam Clayton Powell Sr., and La Guardia, January 1942. Copyright All rights reserved by La Guardia and Wagner Archives

On  this day in 1933, Adam Clayton Powell Jr., the assistant minister of Abyssinian Baptist Church (The church where my ex and I married, by the way) wedded  a “showgirl” named Isabel Washington.
According to my former Boston Globe colleague and Powell biographer Wil Haygood, the relationship caused a stir. “The older deacons recoiled, as did his father. Showgirls stayed out late, danced with gangsters, drank gin. Adam Junior knew better. There were veiled threats that his father would not give him money.”
In  my dad’s  “Xcuse Me” column published three days after the wedding, you have to get to the penultimate paragraph before he even mentions the names “Adam” and “Is,” but it is clear before then who the column is about.
By the way, in Roman mythology, Jupiter Pluvius was the rain-giver who ended droughts.
I didn’t have any luck finding a photograph of the wedding, but I did find this photo from Powell’s swearing in to the New York City Council in 1942.  That was in nine years after the wedding.  From the look on his mother’s face, she still had not gotten over it. :)

The New York Age, March 18, 1933

‘Emperor Jones,’ ‘Huck Finn’ and that ‘n’ word

23 Jan

Last week, I weighed in on the debate about the novel Huckleberry Finn in my colleague Cynthia Haven’s blog The Book Haven. There’s a current debate over a new edition of the novel in which the word “nigger” is replaced by the word “slave.” While the intention is noble, I think it misses the point.

My argument is that those who teach the novel need to be fully aware of what they are teaching, the feelings the novel and the word “nigger” evoke and the specific classroom context they find themselves teaching in.

The debate over the use of the word is not new. My father wrote about it in the column below in 1933. He did not mention Huckleberry Finn, but he referred to the repeated use of the word in Eugene O’Neill‘s  Emperor Jones, the 1933 film version of which featured Paul Robeson in the lead.

“Brutus, or Emperor Jones, an obviously uncultured Negro, rises from obscurity in his nation’s South to the dizzy heights of self-appointed Emperor. He makes his way [as] a Pullman Porter, a gambler, a member of a chain gang, a coal passer on a steamer, a bartered slave – and even leaves a few murders in his wake. In his ascent he encounters no institutions of learning – his vocabulary is broken and ungrammatical from the onset – yet Negroes expect the word ‘Negro’ in his uncultured diction. . . . Harlemites don’t have to go to see Emperor Jones to hear the profuse use of the objectionable word, just pass by any group of street-corner loafers, or listen carefully from your apartment window.”

He noted that in Barbados, it was the speaker  – not the spoken to  – who was looked upon as uncultured when the word was used. He took issue with  one of his fellow New York Age columnists, who was Jamaican, who generalized that in the West Indies the word was used to refer to the black laborer.

“He has made the same mistake so many of us make – that of characterizing a West Indian by his knowledge of his own native brethren. There are scores of tropical islands and a few colonies, and there are also a few noticeably different though minor traits in each island’s group. In Barbados – and we have them – a Negro laborer is known as a “laborer,” and not as a nigger.
Thousands of Negroes must have lived and died in the island of Barbados without the regretful realization that he was a Negro. Without a doubt we have our racial handicaps, but the fact is not repeatedly thrust down our throats. Our financial status – or lack of it – seems our greatest handicap. A printer is a printer not because he is a Negro, but generally because he as not financially able to be what he might consider better . . . ” (I wonder if he was referring to himself.)

One of the comments on the Book Haven discussion, accused those of us who were concerned about teaching and reading Huckleberry Finn of hypocrisy.

The reader said,  “many who defend the unlimited freedom of artists to create graphically sexual and blasphemous photos at public expense in the name of freedom of speech and against the bugabear of censorship (even though these images hurt and offend many) now seem willing to bend the same principles, for what? Because some people will be hurt and offended by the N word? And the people who will be hurt and offended are who? The same people who listen to music whose lyrics use the N word constantly?Anybody besides me see this as a huge contradiction?”

Talk about generalizations! Is this person suggesting that all of the people who are offended by the use of “nigger’ in Huckleberry Finn are not offended by the use of the word in rap lyrics? Black people have been conflicted about the use of the word in the public sphere for decades. Remember when Richard Pryor came back from Africa and vowed never to use the word again?

Robeson himself stopped singing the word in renditions of  Showboat‘s “Ol’ Man River” that he performed in recitals. (He did not change the lyrics when he appeared in Showboat productions.)  In those recitals, he replaced he word “nigger” with “darkies.”   “Colored folks,” has been used in revivals of Showboat since the mid 40s.

Ebenezer was of the mind that if black folks stopped using the word, perhaps others would stop using it too.

“When Negroes cease to include the word ‘nigger’ in their vocabulary, white playwrights may rally to the cause and exclude it from their scripts,” my father writes. “How soon will that be? How soon? We prefer not to think.”

How about 77 years and counting?

The New York Age, October 7, 1933

Black airmen, then and now

21 Nov

Ebenezer Ray's grandson Lamman Rucker, "Black Angels Over Tuskegee" Photo: MarkGlennStudio.com

In the middle of this column, under the heading “The Goodwill Flight “Ebenezer  talks about a goodwill flight to the Caribbean and South America that was undertaken by Dr. Albert Forsythe and C. Alfred Anderson. They were dubbed the “first transcontinental Negro flyers.”

New York Times obituary on Forsythe in 1986, said: “In 1933, Dr. Forsythe and C. Alfred Anderson became the first black pilots to complete a cross-country flight, traveling from Bader Field in Atlantic City, N.J., to Los Angeles. The flight, along with trips to Montreal and the Caribbean in 1934, was made in an attempt to break down the color barrier in aviation.”

An obituary of Anderson, who died in 1996, recalled: “He and Forsythe made the first land plane flight from Miami to Nassau in 1934. They island hopped throughout the Caribbean, to the Northeastern tip of South America. They overflew the Venezuelan straits and landed in Trinidad as national heroes.” It described Anderson as a mentor to Tuskegee Airmen.

First Lady Eleanor Roosevelt with C. Alfred “Chief” Anderson, a pioneer black aviator and respected instructor at Tuskegee Institute. (U.S. Air Force photo)

I also found a 1933 Time magazine story about their trip.

The itinerary did not include a visit to Barbados, which was a disappointment to those, including my father,  with connections to the island.  The column and the letter make it sound like the pilots were black Americans, but according to his obituary, Forsythe was born in the Bahamas. Perhaps there was a little bit of Caribbean rivalry.

The connections here are a little uncanny. Lamman Rucker, Ebenezer’s grandson, is co-producer of  Black Angels Over Tuskegee, a play about the Tuskegee Airmen. Lamman, who plays Elijah in the production,  is a founding member of the company, The Black Gents of Hollywood, an all-male ensemble devoted to redefining the images of African American men in entertainment.

The cast of "Black Angels Over Tuskegee"

In a few weeks I’ll be headed for Barbados, my father’s birthplace. I’ve been there only once, back in 1984 and only for a couple of days. I’m looking forward to reconnecting with the place, perhaps beginning the journey of finding family. It is interesting that while in his thirties, my father’s emotional connection to the island still seemed very strong. My impression was that later in his life, by the time he was married and living in Pittsburgh, that connection seemed to be lost, or at least frayed.
I can’t tell whether “The little Englander” my dad  quotes is him or someone else. (Editor’s update 8/3/11: It’s possible it is his brother, Noel, who worked at the Barbados Advocate.) Perhaps I can find the archives of the Barbados Advocate while I am there.

The New York Age, January 12, 1935

Marking a decade in America

26 Jun

According to Ellis Island records, my father arrived in the United States on November 1, 1923 from Hamilton Bermuda. He was 26 years old and single. A column that he published on December 16, 1933, notes that he worked for the Bermuda Colonist and Gazette, a daily newspaper, during his six-month stay there. He notes in this column that he had worked for the Age for eight years. Wonder what he did the first two.


A

The New York Age, November 11, 1933

A vote for Tammany Hall is a vote wasted

25 Jun
Note: Fred Moore, my father’s candidate of choice, was the publisher of The New York Age at that time.

The New York Age, November 4, 1933

When Negroes reject ‘their own’

24 Jun

The New York Age, October 28, 1933

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