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No rest for the weary

16 Jan

Riding the midnight train from San Francisco to Palo Alto the other night, a man sat across from me and politely asked if I was expecting anyone to take the seat next to mine.  When I said no, he stretched his legs out, placed his sneakered feet on the seat and proceeded to take a nap.

My blood boiled. Not with the anticipation that I was going to have to wake him up when it was time for me to get off the train (which I did).  Not because he was old enough (50 plus) to know that his feet, no matter how clean they seemed, did not belong on the “furniture.”

My blood boiled because he could enjoy the privilege of resting easy because he was white.

I should add that he was white, apparently middle class and well groomed; no one would mistake him for a homeless person in search of a night’s shelter.

My blood boiled because had he been a black or Latino man of any age, well-groomed or not, had he been a passenger on a New York subway rather than Caltrain, he would likely have been arrested and carted off to jail.

A New York Times article “Relax, if you want, but don’t put your feet up,” published earlier this month, precipitated my rage.  The article chronicles the New York Police Department’s practice of arresting passengers who take up more than one seat, deliberately or inadvertently, or block the movement of the doors. Continue reading

Kaara Baptiste’s first assignment

12 Jan

Last summer when Kaara Baptiste asked for my advice about getting into journalism, I refrained from telling the young Stanford graduate to run as fast as she could from a field that seems to be on life support.

What I did suggest was that she get out there and write, do some freelancing.  I don’t remember whether it was Baptiste or I who first introduced the idea of  contacting  Henrietta Burroughs, a tireless wonder who publishes East Palo Alto Today, a community newspaper.  It was Baptiste who followed up with Burroughs and landed her first assignment: Me.

Here’s a link to the article, “Journalist Elaine Ray finds her roots.”

Great job, Kaara.

Langston Hughes, my father, Joseph Stalin and Jesus

23 Dec

I don’t yet know what my father thought of Langston Hughes‘ work in general, or whether their circles crossed in Harlem. But just after  Christmas Day in 1940, Ebenezer had some choice words for one of  Hughes’ most controversial poems, titled Goodbye Christ. Here’s the poem:

Listen, Christ,
You did alright in your day, I reckon—
But that day’s gone now.
They ghosted you up a swell story, too,
Called it Bible—
But it’s dead now,
The popes and the preachers’ve
Made too much money from it.
They’ve sold you to too many

Kings, generals, robbers, and killers—
Even to the Tzar and the Cossacks,
Even to Rockefeller’s Church,
Even to THE SATURDAY EVENING POST.
You ain’t no good no more.
They’ve pawned you
Till you’ve done wore out.

Goodbye,
Christ Jesus Lord God Jehova,
Beat it on away from here now.
Make way for a new guy with no religion at all—
A real guy named
Marx Communist Lenin Peasant Stalin Worker ME—
I said, ME!
Continue reading

Not a different government, but a better one

11 Dec

Since Wednesday, Dec. 7, the 70th anniversary of  Japan’s attack on Pearl Harbor, I’ve been trying to get to the library to see what my father wrote about the bombing and/or the United State’s entry into World War II.

Here’s what he wrote in a column published in the New York Age Dec. 20, 1941:

“The war which has engulfed all Europe for the past two years and brought about the downfall of about five times as many nations, has come to these United States. At times it has been said to be a white man’s war, but more often it has been conceded to be a war which effects all peoples. The latter is especially true at this time.

“Japan, in its tri-partite alliance with Mr. Hitler and Il Duce, is the one to strike the blow; her two partners in crime join the fracas with expected precision. Mr. Hitler has designs on dominating the world in what he calls a ‘new order,’ which is the same old slavery humans have known down the ages dressed up in twentieth century clothes. Mr. Hitler includes all peoples of the world in his new order, and that includes Japan and Italy which, because of its military weakness and Mussolini’s gullibility, is already under Hitler’s heel. He includes the people of the U.S.  because the ultra-freedom they enjoy would have psychological effect on his slaves in Europe.  They would yearn for the same things.”

Ebenezer takes on fellow columnist George Schuyler, who apparently continued to view Hitler as little different from imperialist Britain.  In the early years of the war, many other black journalists had urged America to not throw stones at Hitler while injustice marred its own glass house. Many changed their minds when U.S. Navy ships were  attacked.
Continue reading

‘It can only get better from here’

24 Oct

The other day someone asked me if I was worried that my daughter, Zuri Adele, was pursuing a career as an actress. It’s a question I get a lot. And as always, I responded with a confident no. I’m not. For one thing, she’s talented. For another she works hard. She’s smart, and she’s not going to starve. And, besides, it’s not as if I could discourage her if I wanted to.

( Hair by Kim Alladice-Paul)

Our family is full of people with artists’ souls who chose more “practical” paths out of necessity. I believe she has what it takes to make it.

I admit that today’s news that Tyler Perry had cast Kim Kardashian in his next movie gave me pause, but I recalled the advice veteran producer Reuben Cannon gave Zuri a few weeks ago during a talk at Morehouse College. Zuri asked Cannon what serious actors should do to survive when they are competing for attention with reality stars and people who are famous for being famous. Cannon’s advice was not to worry about them. Focus on the craft, he said. Excellence will win out in the end.
Last Spring, Zuri attended the Cannes Film Festival as an intern with Creative Minds in Cannes. In this video montage, Zuri gets the last word: “It can only get better from here,” she says.

Let’s all hold that thought.

Cannes 2011 Teaser from Sarah Wilson Thacker on Vimeo.